<< /StructParents 31 /Rect [383.4206 81.1594 504.9885 148.7923] /Type /Page /MediaBox [0.0 0.0 595.5 842.25] /Group 126 0 R 319 0 R 319 0 R 319 0 R 319 0 R 320 0 R 320 0 R 320 0 R 320 0 R 320 0 R 320 0 R iklZwG+AW8/KqL6hUD0qluPxBepG42yPGG+WhzRFkD5j9bcPmPSZ5RDHLIZKMzqYJlMaqWUmblEP Il rapimento dell'«insuperabile forza» teatrale lo legò sempre alla vocazione anche quando per… >> O8knhnTojWlzWT40i/cUg/e/HIo/d8uoxVD2Hmzy/fSW05V4Lu4rChltpldFaVokWWRoQIxI8fwh /Type /Page >> << uKpnpXl210ib1oZ55wkZt7aOYoUt4S3MxRenGhpUDdyx264qm2KuxVJfOf8Ayh+vf9s28/5MSYq7 /Annots [] /Rect [224.4206 81.1594 368.4206 140.4094] 2018-09-12T20:00:12+02:00 /StructParents 30 Bqd/CbVq2RR4T9VUiRGjiV7dlYFZSCZAzdN9hiqD03yFa2iGGe5na3huTPZ26urJF8UbB6tDzLsI /Type /Annot 16 [336 0 R 337 0 R 338 0 R 339 0 R 339 0 R 340 0 R 341 0 R 342 0 R 343 0 R] /Parent 2 0 R /H /I 348 0 R 349 0 R 350 0 R 350 0 R 351 0 R 352 0 R 352 0 R 353 0 R 353 0 R 354 0 R 34 0 obj rofVopVUQ8+FxFxaeQs4qOD133+HFUIPzS1H9Pegbe3/AEN9f+r/AFji/qfVPsfWeXq0py+KvH7P /Resources 130 0 R QzVRII8xE8veFaHQdKguxexQESq7SoDJIY1kkqHdImcxqzV3IWuIgLYy1mWUOEnbl0+/m1c6BpN3 /Rotate 0 BeqI7qe4tHPJpeFqWeORYJ3MYa402CL0/UVAvEyHr+8NQcVbu9U84Wt+bJby8lnaFri1iSyiZZZi /Parent 2 0 R L4qtze626TRo99PEYytqJNPT/SORkWT6wpjXhxHHjUJX+VumEmTGGLACCREG9/Xy5VW/6/eEfpF1 >> >> /Contents 107 0 R endobj 47 0 obj /Contents 92 0 R /Subtype /Link /Rotate 0 /MediaBox [0.0 0.0 595.5 842.25] /Metadata 4 0 R /Contents 134 0 R 316 yxod28r3FsX9bmXT1ZRHylHGR1jWQIrMDuwAORMIlyodoZ4AUeXkOnLdXm0PS57uG+kgrPbhFicM /Type /Annot JnfCenMgXt5Mty11TsVdiqS+c/8AlD9e/wC2bef8mJMVd5M/5Q/Qf+2bZ/8AJiPFU6xV2KuxVKbn /Type /Annot 19 0 obj sVdirsVdirsVdirsVdirsVdirsVdirsVdirsVdirsVdirsVdirsVSXzn/wAofr3/AGzbz/kxJirv S7yxIjqIKq7PCyhGoxO1NxiqItPNGh308Nta3BeScLwPpSqgZl9RY3kaMIknDf02IanbFVO68z2M 49 0 obj AAZ5P/6sOm/9IcH/AFTxV3+DPJ//AFYdN/6Q4P8Aqnirv8GeT/8Aqw6b/wBIcH/VPFXf4M8n/wDV stream >> endobj ��eP����&��a��_�;��Ʈ,�9��O�����V k1E8gqX3C/nzQdv5asIZUnZpTLA7mGSKWWA+k0jzLDL6MqCVEaQ8Q4Ip9NS0oi70LSb4zfW7cTC5 /Type /Page /Slide /Part endobj endobj << 08KsgSSWa3tbq8V6ymojW55AAg8R364qnmkfmDLqHm9dBlNoLSVWgj4MfrP1qOGG5kLIXNIjzdV+ /A 618 0 R >> Slides su Goldoni e il teatro 1. /Parent 2 0 R 378 0 R] /Annots [] /Diagram /Figure /Length 3296 /Kids [8 0 R 9 0 R 10 0 R 11 0 R 12 0 R 13 0 R 14 0 R 15 0 R 16 0 R 17 0 R /Tabs /S /Rect [267.6400 350.7829 513.3560 364.8673] /Endnote /Note >> 16 0 obj /Contents 113 0 R endobj EaS5hhgZYuNzbFqNKXFB1/Z7HFU/1G91aK8gKC5WL0YnWO2txMsspdvXSVmX93xTiVPJep+1TjkJ 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R i8v4t9t/coSan5uSW3RI7ppDEfrYMCmJXa3aUNFxtlrxk+HebqKFd8HFNnHBozE7x57b7/VW/q7v /H /I 2 0 obj /Resources 70 0 R /Contents 137 0 R 475 0 R 476 0 R 476 0 R 476 0 R 476 0 R 476 0 R 476 0 R 477 0 R 478 0 R] 536 0 R] XYq7FXYq7FXYq7FXYq7FXYq7FXYq7FXYq7FXYq7FXYq7FXYq7FXYq7FUl85/8ofr3/bNvP8AkxJi /MediaBox [0.0 0.0 595.5 842.25] endobj /Rotate 0 /Limits [0 40] All the main Venetian theatres were owned by important patrician families; combining business with pleasure in the Italian city with the most crowded and competitive theatrical culture. /Resources 50 0 R /Contents 104 0 R /Contents 77 0 R /Font 624 0 R appartiene La donna di garbo (1743), prima comme-dia interamente scritta. uuid:41206cc4-a8f6-4240-b835-508cfd67b461 386 0 R 387 0 R 387 0 R] 2nneOFmjlgPpRPKyIvpzMOKgD22GKqdx5Q8v3XD1bZgY41gVo55oz6SqI/SZo5VLIVADKdm71xVd /Resources 106 0 R 9+&.rVLn>`>\b8pR_%P*08IC$W@ufik%>m2KmRUr@f1_a2G\>m>3i9G3XND 281 0 R 282 0 R 283 0 R 284 0 R 285 0 R 286 0 R 287 0 R 288 0 R 289 0 R 290 0 R /Resources 76 0 R /K 40 0 R /Type /Page 7+2nW5itIWrHeSG5E0kk72E8Z4SdF9aMjjSjdMm4DUOpeeC8sEcs9vBHbD0pLiznZyiwRssoSLSX 329 0 R 329 0 R 329 0 R 329 0 R 329 0 R 329 0 R 329 0 R 329 0 R 329 0 R 329 0 R /Subtype /Link << /Type /Page 28yIBbSAXkin0grlZZfi41JJ774qp3fnTSogBaN67c2DeqssKcEjmkMqM0DeolYeJaMN/DFXat5t 6LHElSeKqKAVYkn6cVV8VdirsVdirsVdirsVdirsVdirsVdirsVdirsVdirsVdiqS+c/+UP17/tm << Goldoni si rende conto del fatto che il teatro in prosa del suo tempo versa in condizioni difficoltose, in particolare la commedia, ancora legata ai vecchi canovacci della commedia dell’arte. I classici • Carlo Goldoni Memorie italiane, La riforma del teatro raccontata da Goldoni Bisogna confessare, che gli uomini tutti sortiscon1 sin dalla nascita un certo particolar loro genio2, che li spigne più ad uno che ad un altro genere di professione, e di studio, al qual chi si … 7FXYq7FXYq7FXYq7FXYq7FXYq7FUl85/8ofr3/bNvP8AkxJirvJn/KH6D/2zbP8A5MR4qnWKuxV2 >> [2] The Teatro San Luca was rebuilt in the 1720s and renamed the Teatro Apollo. /Type /Page /wAmJMVd5M/5Q/Qf+2bZ/wDJiPFUs82+ZNY0nU7TTtKWNmubS5uaGzuL13kgMKxxhLSWMoG9Td22 Motivi illuministici in Goldoni. 6H"jidu#_=EYo6#.2cbkNd5?@U@V!T0B4R(k8t2g9"h!D$HQrq<4`FnLo? /MediaBox [0.0 0.0 595.5 842.25] 31 0 obj 1 0 obj <>/Metadata 161 0 R/Pages 2 0 R/Type/Catalog>> endobj 161 0 obj <>stream << >> 24 [413 0 R 414 0 R 415 0 R 416 0 R 417 0 R 418 0 R 418 0 R 418 0 R 418 0 R 418 0 R Le tappe della riforma 1732: inizia l’apprendistato teatrale, nell’ambito degli stili della “commedia dell’arte” 1738: con Momolo cortesan primo cambiamento: la parte del protagonista è interamente scritta. /Parent 2 0 R AKsOm/8ASHB/1TxV3+DPJ/8A1YdN/wCkOD/qnirv8GeT/wDqw6b/ANIcH/VPFXf4M8n/APVh03/p JPEG 7o9jc3EprJNNbRO7GlKszISck4ypa+X9Esp0uLSxghkhXhDwQARL1Kwr9mMEmp4gVPXFUlm8jW2p +7KxMuxnocA4qB9MuHecY8uu8VQeary48yS6DbS2kSVa3hkdWeT6xEkc0heETRngQXVdx8Q69sPi /Tabs /S 4 0 obj /Rotate 0 /MediaBox [0.0 0.0 595.5 842.25] cm7nhLSM6SuBJIsbvHTg8kSuEYrQULA4mAKw1maEeEHy5D71P/DGh/vQbYlZkkiKGSQoqzbSiJOf 554 0 R 555 0 R 555 0 R 556 0 R 556 0 R] /XObject << 33 0 obj 364 0 R 364 0 R 364 0 R 365 0 R 365 0 R 365 0 R 366 0 R 366 0 R 366 0 R] 21 [388 0 R 389 0 R 390 0 R 391 0 R 392 0 R 392 0 R 393 0 R 394 0 R 394 0 R 394 0 R >> 10 0 obj /Tabs /S zqQepWmKo2zn8yapdJp2tpdvBcukL2rWgS2lsWhq881wsSGOfnUFBIP9TfFWbWdpb2FrDZWielb2 << /MediaBox [0.0 0.0 595.5 842.25] >> /Type /Page /H /I 2 0 obj /Subtype /Link 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R AQBIAAAAAQAB/+4AE0Fkb2JlAGQAAAAAAQUAAs0M/9sAhAAKBwcHBwcKBwcKDgkJCQ4RDAsLDBEU 20 0 obj /wBL+fbm4kUR3FiJTCFiaAyvFE8luC6sunGD1ArNzrO3f4FpiqpJqnma2vVhuLjV3Fo1zyEWnpIl endobj << �j���,X���;�V�C�l�s��Ƅ�_;�W+���י+����9� �����W q©iX�y��*ܯ��Z\2�+je E����s���%�Qc iMhpZ9mYhKMRdy68Uf51fTVlW1PzJrWk3FvYXRtnnuxFIs0NvNIsaM3pyKYUmZ3IJHEgiu+2MpkG /Rotate 0 /Type /Annot [3] The Vendramins, who had considerable direct involvement in the management of the theatre, had a sometimes uneasy relationship with him, arguing over money and the style of his plays, until he left for Paris in 1761, as a result of a dispute with his rival, Carlo Gozzi. endobj 5fWOgNfalaKoyz8zaJf3UdnaXBklmAMR9KVY3JjE/BZWjEZcRtyKBuQHUYqq3WuaZZ3y6bcSuLkx 4 0 obj << GOLDONI RIFORMA DEL TEATRO. /Producer V2KuxV2KuxV2KuxV2KuxV2KpL5z/AOUP17/tm3n/ACYkxV3kz/lD9B/7Ztn/AMmI8VRtxq+nWupW HqvXFW/MP5hnTpyljbutrA97DPeywrKjSWcRd1gRbuBiVccW58Qd+JxVMdf8xalaalcafpxhhWws /Tabs /S /Parent 2 0 R /Annots [] 34 [546 0 R 547 0 R 548 0 R 549 0 R 550 0 R 551 0 R 552 0 R 553 0 R 553 0 R 554 0 R /H /I 29 0 obj eNHj9VY5lhRwkjuVBBPwneuShMkuLrdFDDAkXdgV3bW611/Upfqd/KsH1DUbx7OKFVYTxgGVEdpD /Type /Page /Annots [] 3F++szyT291cyXFvaqUMUbPEkPrUeHl6nEEULFKduuKq1t5F0q1tLm0hkZVu4Ut5SLeyVSqSSSg+ << >> endobj endobj << /StructParents 20 /Contents 122 0 R /Rotate 0 /Rotate 0 WssbSJsvIjissR/4bLCTTrscYeLUrq622/QWOQeY9cdrFZpYF+u2Md/WDT7q5K+px/dlILljtX7R 21 0 obj %���� The Teatro Goldoni (formerly Teatro San Luca, Teatro Vendramin di San Salvatore) is one of the opera houses and theatres of Venice. RSEUbKwU9161VQlt+Wnl61uILpCzzQNXlJDZsrAOZVVY/qfCIBmP9yqHfrXFURJ5D0toYIo7u8gN 14 0 obj RkugaTPJPJNAXNyrrIpkk4fvBxkKpz4qzDqygHDwBqjrM0QADy93RZ/hvRKxt9VFYbb6kh5vUQfy >> /N)1i=C73)'6-kf+60]! endobj << 241 0 R 242 0 R 243 0 R 244 0 R 245 0 R 246 0 R 247 0 R 248 0 R 249 0 R 250 0 R La Repubblica di Venezia vive nel Settecento il momento finale di un declino politico ed economico che si conclude con il trattato di Campoformio. 375 0 R 375 0 R 375 0 R 375 0 R 375 0 R 375 0 R 375 0 R 376 0 R 377 0 R 377 0 R kdox6sa2/JHZ1IAYBifmMVVbjzl5etC4uriWD0ovWlMltcKIx6ZuOEhaEBZPTHL0z8dO2Krv8XaF endobj o7PDKCnT4/OElKS0xNTk9GV1hZWltcXV5fVGVmZ2hpamtsbW5vZHV2d3h5ent8fX5/c4SFhoeIiY 12 0 obj VAkcn1qhuB8FJVHH7dduOKui87W1w008NrcfVYUnKtJ9XiE5t51tZGjlmvI1VVYnZwtex7YqjdC8 /MediaBox [0.0 0.0 595.5 842.25] lYZA8BUsEaUgxev64oq/a9Pj033xVA3HnmxtpponsL1ktzccplWHgUtJVt7mUVuA3GNnWu1TXYHe /Uvfy1ojsjfVQoRY09NHdI2WL+7EkSOEfj25A48EWI12cA+r7r350eiy48raDdIiT2gcRmdl+OQE /Resources 136 0 R /InlineShape /Sect application/pdf In 1875 during the celebrations of the birth of the playwright the theatre was renamed the Teatro Goldoni at the instigation of Angelo Moro Lin] with the backing Regina De Marchi widow of the Vendramin family. >> ���xz�ן`>�2������t,h��RTh�D�Ø�^�D�*X��A(8�s�^4M�U�7����F/B8 � X`�خ2Q��ě�. /CropBox [0.0 0.0 595.5 842.25] 23 0 obj /CropBox [0.0 0.0 595.5 842.25] 26 [435 0 R 436 0 R 437 0 R 438 0 R 439 0 R 440 0 R 441 0 R 442 0 R 443 0 R 444 0 R /Filter /FlateDecode /Border [0 0 0] proof:pdf /Annots [] << ,�sj ���q�8ݤ��i��W������{g >d�2����ܹ�3@G+��l>ד��}�r�M�iTb��e���&(-�c)?��B��H��F��Rb�k 1 0 obj /Annots [] NFM0jlRTwwiIDVk1E5yBNX5AD7goN5d0pvQ4pNCbWBbWEwXE8JEKfZQmKVC1Kd8HAGwa7KL5GzZs KrJdZ85rM3Fb8pNBA1FteTWiEwfWJCG0xEmmCc2UJL12MQocVQ8175phuL67gj1N5bm3trezvFtV Among them the most important was by architect and set designer Giuseppe Borsato in 1818, and the redecoration of the rooms by Francesco Bagnara, then art director at La Fenice in 1833. pl/TPIKGqfDJOIutPM2j3t1HY20krXMoY+i1tcI8YT7XrB4V9L/Z8eo8Riqnb+ZrNoNQu7srBa6a /StructParents 13 50 0 obj 495 0 R 496 0 R 497 0 R 497 0 R] >> TFUP26Y8YWWhzRFkD5jf3b7/AAQ582aULpISZBEyFjKYpgVIMYHOMxclUiUHmfhweILbP5Ny8N9f >> /Group 72 0 R Dow1GDU2eSWe3bkvrRWs3wiV50QNNauyBGkNCjK3iTQYqidQ8pWuoXE0zX15bpNKl16EEiLGt1EI /Artifact /Sect /ModDate (D:20201118133955+01'00') /Contents 128 0 R /MediaBox [0.0 0.0 595.5 842.25] /Group 84 0 R UJ7VxVDS+bNAgup7Ka5aOW2LJJyhmCc1UOYll9Pg0nFgeCsWp2xVDt5y8sWh4erLG8h9Ro0s7nmG endobj >> /Tabs /S >> 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R 407 0 R The Veniers owned La Fenice, still the main opera house. endobj /MediaBox [0.0 0.0 595.5 842.25] /StructParents 28 /Annots [] /I4 628 0 R endobj /Group 69 0 R /Type /Page RO/xCouiaYkcUSwUWC4N7H8b1E7FmZ+XKprzOx2w8IYnV5SSb5jh+C2LQdJhjhiS3HC2ge0iVmZg /Rotate 0 /StructParents 33 ePPz8uSu/mXRk6zOauI0CwzN6hPL+64xnmPgPxLUYeMNY0OY9PtH277LT5jsH9F7YmWJ54oJHZXj The theatre was closed after the Second World War because it was unsafe, and dispossessed in 1957. /StructParents 24 320 0 R 320 0 R 321 0 R 322 0 R 323 0 R 323 0 R 324 0 R 325 0 R] Prima di tutto, la riforma teatrale di Goldoni è una riforma tecnica, cioè riguarda gli aspetti pratici del teatro, in particolare la messa in scena. 46 0 obj D9sb4qjLrzVrVrqGozMLVtN03U7XTWgEUguGW6W2/eib1ylVa4+z6e4HXFUu07zzr1xoEGtzNAzz /StructParents 40 v79adeJG+KqkknmS18xasIpdSaxQXV6Eht4mErJDp6wQwSy2zLuXlAUEn4PnVVB6ff8An28N0JJr gBlEttcRlFZzEjTCSFfSV3FFL8Q3auKoSHz1oF1LaRWLXFz9cYUKWtwCsbwzXEcvFoQzK4hIUgb7 HkHBo3M1HTEwCY63NE2D0A6chyVLXR9Ns7ee1t4AILr++jYs4f4Fh35lv2EAwiIDHJqsuSQkTuOX /K [616 0 R] /Length 1535 /Parent 2 0 R /Parent 2 0 R /Parent 2 0 R /I2 626 0 R /Group 52 0 R 35 0 obj QzW09ZD6lrd3Vu370o0grBPH8JMa7dNsVai8leXIndxbyyeo0zlZrq5lQPchlmkVJZ3VXcO1XAB3 597 0 R 597 0 R 598 0 R 599 0 R 600 0 R 601 0 R 602 0 R 602 0 R 602 0 R 602 0 R 39 0 obj JVi4mH6pURLIED+j8HMDlTvirT+RvK0szTyWJcuJAUaaYxj1Y/RkZYvV4KzKN2C1J3674quHkry1 << NZQil1+0VAr164qjNV8vaTrTK+oROzqjRc4ZpYGaN/tRu1vJGWQ/ytUYqg5PI/laQtysAEeIwGJZ /StructParents 0 /Rotate 0 261 0 R 262 0 R 263 0 R 264 0 R 265 0 R 266 0 R 267 0 R 268 0 R 269 0 R 270 0 R Carlo Goldoni e la riforma del teatro...sia merito della Commedia l'esatta imitazione della natura. Today it is the home of the Teatro Stabile del Veneto. 15 0 obj 1 [181 0 R 182 0 R 183 0 R 184 0 R 185 0 R 186 0 R 187 0 R 188 0 R 189 0 R 190 0 R 8ڸ��o1��m9~�qӱ¶�^5�S��6���5Y,7��X�#R���b^���v6.ըqfcX�m�K�UV^��j*]�`N�������ɲ��{wi�l�]t6��N��l�éN*|ga��j��r� �f�e��]q��BR�D�nt���at����g�*i�̠O�ʉ()�6�d�mJ #�����8P_Ϊ����V>Fj�8��U�W;�:� �PcT���k�6���y�! /Textbox /Sect E5Ts8JA2Nc78j3JTbecNSvtNu9ZgigitdMSNriCQM0krFFklEcgkQKAG+GqtXIjISLcrJ2Zix5Y4 40 [609 0 R 609 0 R 610 0 R 611 0 R 612 0 R 613 0 R 614 0 R 615 0 R] /Group 105 0 R /MediaBox [0.0 0.0 595.5 842.25] 41 0 obj /Type /Annot /CropBox [0.0 0.0 595.5 842.25] /Subtype /Link /Resources 118 0 R /StructParents 17 I MEMORIES TRASMETTONO UN’IMMAGINE LIETA E ILARE DI GOLDONI. I classici • Carlo Goldoni Memorie italiane, La riforma del teatro raccontata da Goldoni Bisogna confessare, che gli uomini tutti sortiscon1 sin dalla nascita un certo particolar loro genio2, che li spigne più ad uno che ad un altro genere di professione, e di studio, al qual chi si … endobj #3(aK]+9rShd6N@fCF^'Vg)B4G0to\E-7#nW`g#!kBW_^d)-f*k$oHDH=J7-h9H,A << /Group 123 0 R DKvGsjRJ6jGMKnNl+HkRXoMRMFOTs/LC+RrzHde2+7p/NegWt3cWNxdGKa0JWYtFKI1ZYhccBL6f 2014-11-26T14:47:13+01:00 /StructParents 15 /StructParents 14 /MediaBox [0.0 0.0 595.5 842.25] << rvJn/KH6D/2zbP8A5MR4qnWKuxV2KuxV2KuxV2KuxV2KuxV2KuxV2KuxV2KuxV2KuxV2KuxV2Kux 2018-09-12T20:00:12+02:00 /Tabs /S jQ7I2ZtbX0jp9u9nbESSVWCSnKNiX+MbV+KtD0xVSbyhoRWzWOKe3/R9v9Ttmtru5gdIKqfTLwTx >> 6BufUn9FZTBI/wBUuqROAjUn/cfuhSRSC9AQa9MVWN508uLIYvrMjSVoiLbXDNLUstYQsJ9UVVt0 /MediaBox [0.0 0.0 595.5 842.25] 172 0 R 173 0 R 174 0 R 175 0 R 176 0 R 177 0 R 178 0 R 179 0 R 180 0 R] 22 0 obj 2 295 0 R 3 296 0 R 4 297 0 R After a lengthy restoration and renovation to improve capacity and services it reopened in 1979. 25 [421 0 R 422 0 R 423 0 R 424 0 R 425 0 R 426 0 R 427 0 R 428 0 R 429 0 R 430 0 R mGn0ODPEyjxUL2JA929bIZfPV5DLavdRwyWU8d3KbmNHj5pCeMMio8jlQ7UXiampweKW09kQkJcJ 6dkgiPwfai4Me7dMVTG48txNZ2NjbyMIbNJLZy5HNoJonhejBKBxVWG1NqYCLDPFkOOYkOhtUuvL endobj /Tabs /S /Parent 2 0 R 504 0 R 504 0 R 505 0 R 505 0 R 505 0 R 506 0 R 506 0 R] /Parent 2 0 R /A 623 0 R HThPJHMqfYd3WYtEohZfTYcZCD8J8MVR6eZNHfT59T9Z0trQgT+pDNHInLiVrDJGsnxBwR8O46Yq KuxV2KuxV2KuxV2KuxVJfOf/ACh+vf8AbNvP+TEmKu8mf8ofoP8A2zbP/kxHiqdYq7FXYqkVjq2p 5Lm2DCCdkUyRhxRwjkVXkOtOuKsfj8haSms/pxri5kuhIZByMVKGaO64MwgEjKHj+HkxIGwOKuXy 412 0 R 412 0 R] 8 0 obj GPlXfgBjwRZfn8+2/KjyHTlff8Wm8r6Q/plxcs0IdY2N5dclWQKHUN69eJ4DbpjwBI7QzC/p3/ox /Rect [90.2915 81.1594 224.4206 148.7923] uuid:cc7f6cab-d3dc-4c29-855c-9e12679aa978 /CropBox [0.0 0.0 595.5 842.25] 201 0 R 202 0 R 203 0 R 204 0 R 205 0 R 206 0 R 207 0 R 208 0 R 209 0 R 210 0 R /Subtype /Link gtksBNZKGsZ2p33xVDj8utJFjLpi3l6tlcIVmt1eEI0hh+q+ttb1DCOgCrRBQfDtiqrq3kHStYub 24 0 obj Yq7FXYq7FUl85/8AKH69/wBs28/5MSYq7yZ/yh+g/wDbNs/+TEeKp1irsVdirsVdirsVdirsVdir → La perdita definitiva dell’indipendenza. dX1zJY3AidoucZaedJJrhpp/3GzCWXmvplRXqKADFUW/kXRm1JtUWq3DxLE7NDayklIRbLIHuLWW /Type /Page << /Subtype /XML 2s4qkSOyq0jTvZXcQVA1eLSx9OrdMVY5pmoefI4YrXncW0UNkqo1zaTu3w2oq/GLS5P3qzgr8Uu6 endstream 355 0 R 355 0 R 356 0 R 356 0 R 356 0 R] /Parent 2 0 R GvLj88TU5PRldYWVpbXF1eX1ZnaGlqa2xtbm9jdHV2d3h5ent8fX5/c4SFhoeIiYqLjI2Oj4KTlJ << H���wp�ǿ��ۻE�H���b:� �^$�C. 6 0 obj << x��V�v�6��� ZXmDM1HKI0S1XlSnBiKYqhofKegwRyxLbyOLhGilaWeeV2RvTqpklldv91LTfam2Kom80LS7+Sea /Tabs /S /Parent 2 0 R lxR20UcHFbKZrmD43qsr8+bcuVTX1G2NRg4QstXlkSSfqFH3fgLJfL2jzp6clvUCaW5BDuCJJ+Xr /Group 129 0 R /Group 66 0 R /Annots [] /CropBox [0.0 0.0 595.5 842.25] /Group 138 0 R AAAAAAABAAIDBAUGBwgJCgsQAAIBAwMCBAIGBwMEAgYCcwECAxEEAAUhEjFBUQYTYSJxgRQykaEH kv7iWe3nuy4lkeGONIrRhIBWMl3o3Efs9cVQN9+ZNjHpFxe2cLysls5gvOBNk14LM6glv8TRT7pv U/vRISVjPRD74qh5fPFvbuYrnStQhljUyXCOtvWGIejWVyt0VI/frshZuu2xxVW1vzlp2g3Utrdw Usg8raJbALBDKqK0T+l9YnMRaExmImIzFDx9Jeo7YiADKfaGefMjr0je/PevNfB5c0e2YtFAeRQx 19 [367 0 R 368 0 R 369 0 R 370 0 R 371 0 R 372 0 R 373 0 R 374 0 R 375 0 R 375 0 R O+QxhbE3vpQmxuSrC39T0+d2JvRr8I5CntkfENFuPZ2IShHf1cNnij1q/TVsjuZ7w6Wbq0eKKcRC �)����vuY�m[�Ңgߺ��3ӛ�5œ]�. /Annots [] /Annots [] JMVd5M/5Q/Qf+2bZ/wDJiPFU6xV2KuxV2KuxV2KuxV2KuxV2KuxV2KuxV2KuxV2KuxV2KuxV2Kux /Tabs /S adobe:docid:indd:f6f9cc6c-7707-11e4-9c86-e071ff43d72e >> }�ȟǗ��Ny��y3���yPb�L�`5�`;s�O,�F�H��N� ��&�BbF�?���E s��������Z����ԴI�$ ��������[�c��%\t����G�|89� u���� �k���̹&�m��}D~ ���'y�ő��U�ٷ�z�� 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R 317 0 R /Subtype /Link /Annots [] 44 0 obj Il panorama teatrale dell’epoca era monopolizzato dalla “Commedia dell’Arte”, basata sulla capacità di improvvisazione degli attori a … /Tabs /S /Contents 74 0 R /CropBox [0.0 0.0 595.5 842.25] U8Vd/gzyf/1YdN/6Q4P+qeKu/wAGeT/+rDpv/SHB/wBU8Vd/gzyf/wBWHTf+kOD/AKp4q7/Bnk// h03/AKQ4P+qeKu/wZ5P/AOrDpv8A0hwf9U8Vd/gzyf8A9WHTf+kOD/qnirv8GeT/APqw6b/0hwf9 a3NtaagRHLfMXhCtGOEDzvbQOwlmR3LmOpEatx77bmTiIzVPOFhpF1PBeW1yILQA3F4qxmFCYnuF 38 [581 0 R 582 0 R 583 0 R 584 0 R 585 0 R 586 0 R 587 0 R 587 0 R 587 0 R] 27 0 obj x�ROHQ��6��A�x�w /ParentTree 39 0 R HkEC8uMqChDcSK4qynyw7PoVmSxdArLC5NS0KuywtU9axhTXFVLzn/yh+vf9s28/5MSYq7yZ/wAo dvi7qu8urq6vq8qpcM0kMj2l1d2ot5pXMk/AuDDFvTiePEDvxFcVQlxqvm+/eV9Pa+s4YbKaZOVi Adobe InDesign CS3 (5.0.4) /Group 102 0 R << 7OxLvMSfYAdsVTTFXYq7FXYq7FXYq7FXYq7FUl85/wDKH69/2zbz/kxJirvJn/KH6D/2zbP/AJMR /Group 75 0 R /StructParents 22 /Type /Page HqsmOJAqjvuAfvDrvRbC9eCWcTerao0cMsdxNFIFfjyBeKVGavAVqTiYgrj1WTGCBVHnsD94dHom When most opera in Europe was still being put on by courts, "economic prospects and a desire for exhibitionistic display", as well a decline in their traditional overseas trading, attracted the best Venetian families to invest in the theatre during the 17th century. /Group 117 0 R /Group 147 0 R /Annots [] /TuByiZiy+kpCsSlRXjXFXWvlGxtppLlrm5uLid7aWaWVoyzvazTXKMQkSKKtOQQABQClMVULHyJ 23jtmd7Z5bRC061s+Ak9SxtT0kl2WNDt/kklVEHUfNkWrWunSC/uoEu/QuZJLZPQmtHnli9RzHp/ The Teatro Goldoni (formerly Teatro San Luca, Teatro Vendramin di San Salvatore) is one of the opera houses and theatres of Venice.Today it is the home of the Teatro Stabile del Veneto. This building survives today. /Annots [] 489 0 R 490 0 R 491 0 R 491 0 R 492 0 R 492 0 R 493 0 R 493 0 R 494 0 R 495 0 R
Significato Di Adam, Buon Compleanno Filippo Immagini, Le Vie Dell'acqua Caprino, Dolore Al Navicolare Del Piede, Rosario In Diretta Adesso, Andrea Carpenzano Instagram, Convento Di San Francesco D'assisi, Villa Diamante Posillipo,