By Monday night the archived performance had 32 million views. We of course had to tell him the space that we were moving into, and where the mic was positioned. Filippo Sugar, president of Sugar Music, said in a statement, “In the midst of all the grief and suffering that my city, my region, my country was experiencing at the beginning of March, I began thinking about this idea of ‘Music for Hope’ because I instinctively felt that the spirit of renewal and rebirth that is celebrated on Easter Day would be more necessary and meaningful than ever this year. In the U.S., the concert will stream at 8 p.m. in both east and west coast time zones. Here’s Andrea himself in isolation, along with an organist, in an empty church, just like the churches around the world that are all equally empty.” Adds Pasquero, “Yesterday Milan was basically just a symbol to represent the rest of the world, and that’s why we really insisted to add all the other images from all the other cities in the world, because it was a big international prayer.”. Hitting multiple generations across platforms is something you hope for when you aim big, but this way, way, way surpassed everything we hoped we could achieve.”. When Andrea Bocelli’s Easter performance at Duomo di Milan was first conceived, it was being thought of primarily as a local event — or localized to Italy, at least. Bocelli’s label, Universal, is looking to release audio of the performance to streaming services, with an emphasis on “Amazing Grace,” which may be released independently as a music video augmented by behind-the-scenes footage of the shoot. And the church itself echoed that sentiment. Bocelli’s participation was pro bono. The live-stream’s i… After creating the biggest musical moment of the pandemic year with his record-breaking Easter Sunday livestream, Andrea Bocelli will be staying in a holiday streaming spirit with a followup event, “Believe in Christmas.” The singer will perform from the Teatro Regio di Parma opera house in Italy on December 12, with different streaming kickoff times staggered to prime time in regions around the world. “So this event got way beyond just the religious. When Andrea Bocelli’s Easter performance at Duomo di Milan was first conceived, it was being thought of primarily as a local event — or localized to Italy, at least. That webcast reached 3 million concurrent viewers on YouTube and was seen 28 million times within 24 hours of its initial live airing. “Andrea has been really impressed by the amount of comments that we got all over the world, but most important from the people (who are) not Catholic,” says Pasquero. Bocelli also duets on the album with Cecilia Bartoli and includes a previously unreleased collaboration with the late Ennio Morricone. Andrea Bocelli, Ents24 Ltd, Technology House, 16-18 Whiteladies Road, Bristol, BS8 2LG Filippo Sugar, president of Sugar Music, said in a statement, “In the midst of all the grief and suffering that my city, my region, my country was experiencing at the beginning of March, I began thinking about this idea of ‘Music for Hope’ because I instinctively felt that the spirit of renewal and rebirth that is celebrated on Easter Day would be more necessary and meaningful than ever this year. We find now that it’s hit 30 million views in less than 24 hours, which is incredible considering the kind of artist he is and the kind of audience that he has, the kind of repertoire that he performed — because it’s pure classical music — and the difficulty that we had in putting this together.”. Variety and the Flying V logos are trademarks of Variety Media, LLC. Not all events listed are live performances by the artist - they also include archived concerts, DJ sets, masterclasses, Q&As and more. Clearly, it transcended religion, nationality, age demographic and even music preference on its way to becoming perhaps the signature cultural event of the pandemic. 3927447 Bocelli will take the stage at Duomo Cathedral on Sunday, April 12 at 7 p.m. Because of the time difference, you can stream it live at 1 p.m ET and 10 a.m. PT on Bocelli's YouTube channel . “So this event got way beyond just the religious. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. “The mayor of Milan wanted to ask Andrea to do sort of a big prayer for all the Italian communities hit by the Covid,” says Francesco Pasquero, Maverick Management’s man in Milan, who co-manages Bocelli. … The idea touched everybody: Andrea himself, the mayor of Milan, the archpriest of the Duomo cathedral, Decca, UMG and Maverick management in a snowball effect. Consider that Beyonce’s Coachella performance, a previous YouTube record-holder two years ago, had about a sixth of the viewers who tuned in live to Bocelli. “I did a live broadcast about 18 months ago with Paul McCartney at Grand Central Station,” says Rodger, “so I had full confidence in YouTube and their ability to take multi-millions of simultaneous viewers around the world without the platform crashing. “Andrea accepted the invitation, and then we started building the project, and it became bigger and bigger. By Monday night the archived performance had 32 million views. … I think they hoped it would be big, but they had no idea that it was going to be as big as it was.”. … I think they hoped it would be big, but they had no idea that it was going to be as big as it was.”. And the one that really hit me was, ‘This performance was the one that we will remember in 20 years (from) during these days.’ So it feels like a sort of living history.”, “Personally I’m not that religious,” says the singer’s American co-manager, Maverick partner Scott Rodger. Having the blind singer walk alone from the front door of the cathedral to a microphone positioned some distance away for that finale may have surprised some viewers, but it wasn’t a stunt. The square outside the empty cathedral was cleared, and only Bocelli and his lone organ accompanist went unmasked. The only segment that was recorded before the live-stream began was the climactic rendition of “Amazing Grace” on the steps outside the cathedral — as anyone who wondered how Bocelli could have sprinted from the altar to the front door of one of the five largest churches in the world might have guessed. Andrea Bocelli will play an exclusive global livestream event, Believe in Christmas, from the spectacular Teatro Regio di Parma opera house in Italy on 12 December. The event was produced by Sugar Music, Universal Music Group and Decca Records, with a contribution from YouTube. Nearly 3 million people around the world logged on to YouTube to view the half-hour sacred music concert as it was happening. Bocelli is the singular, superb voice that opera had been waiting for. The live-stream’s instigator, the mayor of Milan, came up with the idea with the intention of uplifting his home country, the one hardest hit in some of the critical weeks of the coronavirus pandemic. And the church itself echoed that sentiment. Andrea Bocelli will play an exclusive global livestream event, Believe in Christmas, from the spectacular Teatro Regio di Parma opera house in Italy on 12 December. We find now that it’s hit 30 million views in less than 24 hours, which is incredible considering the kind of artist he is and the kind of audience that he has, the kind of repertoire that he performed — because it’s pure classical music — and the difficulty that we had in putting this together.”. Andrea Bocelli ha annunciato Believe in Christmas, l'evento che verrà trasmesso in live streaming in tutto il mondo sabato 12 dicembre. And the one that really hit me was, ‘This performance was the one that we will remember in 20 years (from) during these days.’ So it feels like a sort of living history.”, “Personally I’m not that religious,” says the singer’s American co-manager, Maverick partner Scott Rodger. Hitting multiple generations across platforms is something you hope for when you aim big, but this way, way, way surpassed everything we hoped we could achieve.”. “For an event of this nature, that’s as bare-bones as it can be,” says Rodger. It became a global tune-in event, of course, for a lot of people who viewed it as a substitute for church and a lot more who might never have darkened the door of one. For anyone wondering just how live the shoot was: The majority of the performance from inside the cathedral did go out in real time, shortly after 7 p.m. in Italy and 1 p.m. on America’s east coast. “He perfectly knows how to use all his other senses, and he’s very independent in that sense. It’s made all the more remarkable considering that the ask from the mayor came in on March 20, and that, less than a month later, the six-camera shoot that went out to tens of millions of viewers was accomplished by an on-site skeleton crew of 15 people, the artist’s team included. The live-stream’s i… Nearly 3 million people around the world logged on to YouTube to view the half-hour sacred music concert as it was happening. Bocelli’s label, Universal, is looking to release audio of the performance to streaming services, with an emphasis on “Amazing Grace,” which may be released independently as a music video augmented by behind-the-scenes footage of the shoot. “Believe in Christmas” is being offered as a pay-per-view, so it won’t approach the mammoth numbers that the Easter “Music for Hope” performance from the Duomo cathedral in Milan did. “Andrea has been really impressed by the amount of comments that we got all over the world, but most important from the people (who are) not Catholic,” says Pasquero. Having the blind singer walk alone from the front door of the cathedral to a microphone positioned some distance away for that finale may have surprised some viewers, but it wasn’t a stunt. The only segment that was recorded before the live-stream began was the climactic rendition of “Amazing Grace” on the steps outside the cathedral — as anyone who wondered how Bocelli could have sprinted from the altar to the front door of one of the five largest churches in the world might have guessed. Pasquero, who was on-site, said that typically the number of crew on hand for such a shoot would have been at least tripled. One more difference: “Believe in Christmas” “will not be available on-demand after it has taken place,” an announcement said, “and with no audience in attendance, the only way to watch it will be to purchase tickets to the livestream broadcast.”. And we definitely hit people who are not necessarily that into classical music as their first go-to. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. In possession of one of the finest voices in the world, Bocelli emerged as a vocal phenomenon in the 1990s and has since gone on to become one of the most successful artists of all time, selling over 90 million albums worldwide. Bocelli's Easter concert at Duomo di Milano was one of the biggest musical livestream performances of all-time, especially among those starring a classical singer. “Amazing Grace” took two takes to capture, because of an audio glitch the first time; everything else was in the moment. But with a few special suggestions, we managed to do it very simply.”, The set list for the 25-minute performance was Bocelli’s choice, and he had a good start with the selection process, having sold 5 million copies worldwide of a 1999 album titled “Sacred Arias.”, Although YouTube isn’t used to seeing these kinds of numbers for a live-stream, Maverick had confidence the platform could withstand the demand. It became a global tune-in event, of course, for a lot of people who viewed it as a substitute for church and a lot more who might never have darkened the door of one. Clearly, it transcended religion, nationality, age demographic and even music preference on its way to becoming perhaps the signature cultural event of the pandemic. “Amazing Grace” took two takes to capture, because of an audio glitch the first time; everything else was in the moment. Here’s Andrea himself in isolation, along with an organist, in an empty church, just like the churches around the world that are all equally empty.” Adds Pasquero, “Yesterday Milan was basically just a symbol to represent the rest of the world, and that’s why we really insisted to add all the other images from all the other cities in the world, because it was a big international prayer.”. “I did a live broadcast about 18 months ago with Paul McCartney at Grand Central Station,” says Rodger, “so I had full confidence in YouTube and their ability to take multi-millions of simultaneous viewers around the world without the platform crashing. The video received more than 28 million views from across the globe in its first 24 hours and is one of the biggest musical live stream performances of all-time. The intention for the tone of the show was that it would provide hope and solidarity… but also feel as lonesome as a show taking place without an audience in one of the biggest possible venues in the world would necessarily have to. After creating the biggest musical moment of the pandemic year with his record-breaking Easter Sunday livestream, Andrea Bocelli will be staying in a holiday streaming … “But somehow it managed to connect with people on an emotional level, especially ‘Amazing Grace’ [the lone English-language number], regardless of your religious background or whatever faith you practice. Variety and the Flying V logos are trademarks of Variety Media, LLC. And we definitely hit people who are not necessarily that into classical music as their first go-to. “For an event of this nature, that’s as bare-bones as it can be,” says Rodger. Consider that Beyonce’s Coachella performance, a previous YouTube record-holder two years ago, had about a sixth of the viewers who tuned in live to Bocelli. 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Variety and the Flying V logos are trademarks of Variety Media, LLC. Andrea Bocelli sings at Teatro del Silenzio 2020 in live streamed concert event – WATCH ANDREA BOCELLI sings live today at the Teatro del Silenzio in a streamed concert which fans can watch. The minimizing meant that even Bocelli’s son wasn’t present for the shoot, although he was attended, as always, by his wife, Veronica. Please note: All live stream events are subject to change.
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